HOW TO CRITIQUE YOUR WORK
Don’t Be Complicated
Use A Professional
About
your work:
Provide people with the basics. Plant the seed and they will draw their own conclusions. It’s better to say too little than too much.
HOW TO CRITIQUE OTHERS ARTWORK
Don’t Be Complicated
Do not assume people
viewing artwork have any experience or artistic training, so it is vital to
communicate in simple and easy to understand terms. A simple statement of “I paint landscapes, ”or
“this is a portrait of my grandmother,” can clarify even the most abstract of
work. A simple statement provides a good
starting point and often enough for people to draw their own conclusions.
Be Informative
Basic information and facts can assist people trying to understand the work of art. EX: “I lived in Madisonville as a child and I think this is a big influence over my work now”. Avoid vague terms and descriptions, but answer questions with useful responses.
Use A Professional
If trouble with words
arises, then use someone else to write them for you. The writing itself does
not need to be a work of art, but there is a skill in writing succinctly and
clearly.
What To Write
About yourself:
•
Why are you an
artist?
•
What
inspires you?
•
What is your
background?
•
What
techniques, materials, etc. do you use?
About
your work:
•
What is the
piece about?
•
How did you
make this particular piece of work?
•
How did you
start this particular piece?
•
What was the
inspiration?
•
What was
your mood at the time?
•
Is the piece
part of a series?
Provide people with the basics. Plant the seed and they will draw their own conclusions. It’s better to say too little than too much.
HOW TO CRITIQUE OTHERS ARTWORK
Tell what you see using objective facts. Start
with basic information, such as the kind of work it is: sculpture, painting,
textile, photograph, etc. Ask yourself the following questions: Who is the
artist? What is the title? What materials/tools did the artist use? Where and
when was this work produced? Place the work in a historical context by
considering what major events occurred in this period.
Break the work down to its elements and consider
how they work together in the work as a whole. Looking at such elements as
colors, texture, lines, shapes, movement, repetition, empty space, light and
contrast, see how these aspects are organized to achieve the overall effect.
Asses
the artist's craftsmanship and techniques. Are the materials, colors, and
textures appropriate to the aesthetic design? Does the overall design appear
harmonious or discordant?
Express what the work means to you and how it makes
you feel. Use your experiences and knowledge to determine what the artist is
trying to say with the work. Personalize this step and indicate how this work
relates to you. What is the concept? What is the artist trying to express? What
sort of reaction does it rouse in you?
Evaluate the work based on the results of the
previous steps. Decide if you think the work is a success or failure. Is it
original? Does have value? If so, why? Does it bring beauty to the world? Does
it convey a poignant universal truth or scalding social commentary?
DESCRIPTIVE WORDS TO USE
DESCRIPTIVE WORDS TO USE
There are many descriptive words one may use when critiquing art. Analyzing the use of line, tone, movement, texture and/or shape are some ways in which art may be critiqued.
LINE TONE TEXTURE SHAPE MOVEMENT
Flowing Subtle Rough Organic Swirling
Delicate Contrasting Fine Curvaceous Flowing
Simple Muted Smooth Geometric Dramatic
Bold Dramatic Coarse Angular
Thick Elongated
Thin
SCALE CONTRAST COLOR
SCALE CONTRAST COLOR
Large Dramatic Bold
Small Subtle Vibrant
Intimate Strong Subtle
Miniature Pale
Monumental Earthy
Natural
Small Subtle Vibrant
Intimate Strong Subtle
Miniature Pale
Monumental Earthy
Natural
EXTRA
Saturation - refers to the brightness of color
Geometric - refers to the shapes such as circles, triangles, squares, etc.
Organic - free flowing or rounded
Symmetry - meaning it is equal on both sides
Asymmetrical - unequal proportioned elements
Flat tones - no tonal effect in the color
Negative space - the space around the actual form of art
Depth - the illusion of space
Broken color - dabs or small amounts of color
Focal point - the spot that stands out in the artwork
Distorted - a shape that is changed and no longer looks proportioned
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